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The Legend of Good Women, by Geoffrey Chaucer
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The Legend of Good Women
Geoffrey Chaucer, Father of English literature (1343-1400)
This ebook presents «The Legend of Good Women», from Geoffrey Chaucer. A dynamic table of contents enables to jump directly to the chapter selected.
Table of Contents
- About This Book
- Prologe
- Balade
- The Legend Of Good Women
- The Legend Of Cleopatra
- The Legend Of Thisbe
- The Legend Of Dido
- The Legend Of Hypsipyle And Medea
- Part I. The Legend Of Hypsipyle
- Part Ii. The Legend Of Medea
- The Legend Of Lucretia
- The Legend Of Ariadne
- The Legend Of Philomela
- The Legend Of Phyllis
- The Legend Of Hypermnestra
- Appendix
- Sales Rank: #2869045 in eBooks
- Published on: 2015-02-17
- Released on: 2015-02-17
- Format: Kindle eBook
From Library Journal
Good women, and men interested in women in literature but not familiar with Middle English, will welcome this book. Other translations, like this one accurate and readable, are available; but the advantage of McMillan's is her introduction. She situates the poem historically, compares it to sources and analogues, explains the conventions of the catalogue tradition, and explicates the text, thus rendering Chaucer's work more accessible to general readers. Specialists will find McMillan's views both historically aware and shaped by recent feminist scholarship. An excellent bibliographical essay adds to the value of this first-rate work. Margaret Hallissy, English Dept., Long Island Univ., C.W. Post Ctr., Greenvale, N.Y.
Copyright 1987 Reed Business Information, Inc.
Review
Dream-vision by Geoffrey Chaucer, written in the 1380s. The fourth and final work of the genre that Chaucer composed, it presents a "Prologue" (existing in two versions) and nine stories. In the "Prologue" the god of love is angry at Chaucer for writing about so many women who betray men. As penance, Chaucer is instructed to write about good women. The stories--concerning such women of antiquity as Cleopatra, Dido, and Lucrece--are brief and rather mechanical, with the betrayal of women by wicked men as a regular theme. As a result, the whole becomes more a legend of bad men than of good women. -- The Merriam-Webster Encyclopedia of Literature
Language Notes
Text: English
Most helpful customer reviews
4 of 4 people found the following review helpful.
Not Quite Troilus and Criseyde, But Good Enouh
By Jason Goetz
This edition reprints the poem in Chaucer's original English, without editing, which is fascinating. It's nearly a different language altogether, though it is not difficult to figure out if you really know our current version. Most of the stories are taken from Ovid (especially Metamorphoses) and Livy's History of Rome, so if you've read those two this is purely for pleasure and possibly reinforcement. The story of Antony and Cleopatra may be taken from Plutarch, and the legend of Dido is clearly and explicitly taken from Virgil's Aeneid. Chaucer is no plagiarist, as he gives credit to each author from whom he takes his stories.
Shakespeare clearly made reference to this book and adapted several of the stories from it (and from Ovid, Livy, and Plutarch) in his poem The Rape of Lucrece and several of his plays, notably Antony and Cleopatra, Titus Andronicus (where he recreates the legend of Philomela), and in several of his plays he refers to the legend of Pyramus and Thisbe. The Rape of Lucrece is among his strongest works, so its obligation to Chaucer is extremely notable.
Perhaps most intriguing to me about this book is that it confirms one of the major points I made in my Essays on the Classics! series in the first volume: namely that in the classics, despite modern academics' retarded insistence, without reference to fact, that they are biased against women, many of the classics in fact treat women better than men. This is true especially where the classics disparage man as an unthinking and arrogant beast, but it is also true in one like this, where Chaucer sets out explicitly to sponsor the cause of women. Other places where this can be seen are The Odyssey and Dante's Divine Comedy, as well as Virgil's Aeneid.
My favorite of Chaucer's works remains Troilus and Criseyde, which I think is one of the absolute greatest poems ever written and is unfortunately ignored, especially among high schools where they insist on teaching The Canterbury Tales (which is inferior). But this is a good piece in Chaucer's canon, even if it doesn't quite compare.
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