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Babbitt, by Sinclair Lewis
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Lewis has been both criticized and congratulated for his unorthodox writing style in Babbitt. As one reviewer puts it: "There is no plot whatever... Babbitt simply grows two years older as the tale unfolds."[15] Lewis presents a chronological series of scenes in the life of his title character. After introducing George F. Babbitt as a middle-aged man, "nimble in the calling of selling houses for more than people could afford to pay," Lewis presents a meticulously detailed description of Babbitt's morning routine.[16] Each item Babbitt encounters is explained, from the high-tech alarm clock, which Babbitt sees as a marker of social status, to the rough camp blanket, a symbol of the freedom and heroism of the West. As he dresses for the day, Babbitt contemplates each article of his "Solid Citizen" uniform, the most important being his Booster's club button, which he wears with pride. The first seven chapters follow Babbitt's life over the course of a single day. Over breakfast Babbitt dotes on his ten-year-old daughter Tinka, tries to dissuade his 22-year-old daughter Verona from her newfound socialist leanings, and encourages his 17-year-old son Ted to try harder in school. At the office he dictates letters and discusses real estate advertising with his employees.
- Published on: 2015-02-18
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .88" w x 5.50" l, .99 pounds
- Binding: Paperback
- 390 pages
From Publishers Weekly
Lewis's tale of middle-class frustration, stress and success in the 1920s is brought to life by the L.A. Theatre Works 1987 full cast production featuring more than 30 actors, including Ed Asner (as Babbitt), Judge Reinhold, Ted Danson, Richard Dreyfuss, Helen Hunt and John Lithgow. With a deep and raspy voice and with great projection, Asner delivers a believable and amusing performance that securely anchors the entire production. Whether bullying his family or spouting politics with his friends at the club, Asner keeps the consistency of the self-aggrandizing character solid throughout. Jazz music segues well between scenes, though without any additional production sound beyond voices, it can at times feel out of place. While the full cast proves enjoyable in their individual parts, many take turns narrating the exposition throughout the production. At times, this is executed well, but sometimes it feels as if the director is just trying to give everyone more voice time. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Library Journal
First published in 1922, Babbitt is an authentic modern American classic, a biting satire of middle-American values that retains much of its poignancy today. George F. Babbitt, Lewis's outwardly successful but inwardly unhappy real estate salesman, still seems real. His story makes engrossing reading and is ideal for audio listening. With Babbitt himself at the center of every scene, it is impossible for listeners plagued by frequent interruptions to lose track of the story line. Narrator Wolfram Kandinsky has a voice that many listeners may find grating; however, his reading here conveys an appropriate ironic tone that is especially apt when he reads Babbitt's own lines. Recommended for general fiction collections. Kent Rasmussen, Thousand Oaks, CA
Copyright 2002 Cahners Business Information, Inc.
Review
“[It is] by its hardness, its efficiency, its compactness that Mr. Lewis’s work excels.”—Virginia Woolf
Most helpful customer reviews
84 of 87 people found the following review helpful.
Highly Entertaining
By Jeffrey Leach
Sinclair Lewis wrote a series of satires that exposed the hypocrisy of early 20th century America. “Babbitt” is a snapshot of the life of George F. Babbitt, a somewhat prosperous middle class businessman who lives in Zenith, Ohio. Zenith has a population of 300,000+, and has an active business community. This community has its own rituals and ironclad rules. These rules consist of being one of the gang, being a member of all the right clubs and organizations, and never deviating from the ideals of business and money. These rules cause enormous difficulties for Babbitt when he goes through a midlife crisis at the end of the book and begins spouting liberal ideas and associating with the “wrong” crowd.
This is my first encounter with Sinclair Lewis. I really don’t know why I chose to read “Babbitt” first, as I also have copies of “Main Street” and “Arrowsmith”. I think it was the unusual cover of the Penguin edition, which is a picture of a painting called “Booster” by Grant Wood. To me, that picture IS Babbitt, and I’ll always be able to see Babbitt in my head whenever I’m reminded of this book.There really isn’t a lot of symbolism here (and the symbolism that is here is pretty easy to decipher) and the prose is much closer to our present day writing and speech. This is brilliant satire, and you’ll laugh out loud at many of the situations Babbitt gets himself into. An especially hilarious incident occurs when one of the local millionaire businessmen finally accepts an invitation to dine with Babbitt. The evening goes badly because Babbitt is in a lower social class. Lewis then shows Babbitt going to a dinner at an old friends house who is in a lower class then him. It’s hilarious to see the similarities between the two events, and it brings home how class is strictly enforced in Zenith, and by extension, America.
Babbitt is a person that I found myself both hating and liking, often within the space of one page. He’s ignorant, in that he is a major conformist who often repeats slogans and phrases merely because others in his circle say the same things. He’s a namedropper who refers to people he doesn’t even know as though they were his best friends. He’s also high volume. Babbitt is one of those people we all know who is always boisterous and noisy so they can hide their own insecurities or ignorance. Just when you think you can’t stand Babbitt for another second, Lewis tosses in a situation that makes you feel for the man. Babbitt is the boss at a real estate company, and he worries about his employees liking him. When a confrontation arises with one of his salesmen, Babbitt frets and doesn’t want to fire the guy, although the rules of business eventually force him to do exactly that. He wants all of his employees to like him. He also feels bad about cheating on his wife while she is away and worries about what his children will think of him when he comes in drunk after a night of carousing. Ultimately, although Babbitt can be a major heel, the reader is almost forced to sympathize with him. This is true especially at the end of the book, when Babbitt renounces his liberal ways and rejoins his old colleagues. His return to the pack is not quite complete, however. Babbitt is changed by his transgression, and has learned a few lessons that he imparts to his son on the last page of the book, thus ending the tale on an upbeat note.
I would like to have seen a better section of explanatory notes in this Penguin edition. While some of the more obscure references are defined, many are not. Also, some of the language in the book is very 1920’s slang, and for a 21st century ear, it can be difficult to pick up on some of them. This book is both funny and sad, but well worth reading. Sinclair Lewis eventually won Pulitzer and Nobel prizes for his literary endeavors. It’s not hard to see why. Recommended.
36 of 36 people found the following review helpful.
So those were the good old days?
By Allen Smalling
George F. Babbitt is middle-aged and middle-class. He lives in a medium-sized home in a medium-sized city in the Middle West. He's a middleman--he sells real estate. He went to a state university and depends on his secretary to fix the spelling and grammar in his letters. His children fight over who gets to use the car. His life is pretty straight and narrow, until he begins an affair when his wife is out of town and all of a sudden things aren't so middle-of-the-road anymore.
Sound like anyone you know? But "Babbitt" was published--almost unbelievably--in 1922. Funny how little some things have changed. Lewis's satire on suburban life and its conformities was an instant hit. Even today, we know what a Babbitt is--a guy who's all show and no go--whose lifestyle and opinions have been furnished for him but maybe whose soul is a little out of whack. It's a pity that schools usually assign the much slower-paced "Main Street". Read "Main Street" to see what life used to be like. Read "Babbitt" to see how we got to where we are today.
36 of 37 people found the following review helpful.
Peppy All-American Booster Weathers Mid-Life Crisis
By Bob Newman
Sinclair Lewis and Thomas Hart Benton, the artist, were about the same age, they both focussed on the American Heartland, and as I read Lewis, I see that they both had something else in common. They both had a tendency to draw cartoonish characters. George F. Babbitt is the main character of a satire by the same name; you might even laugh aloud in some places. Lewis is skillful, but at times, heavy-handed. He has portrayed an average Joe of 1920, the pep- and vim-obsessed go-getting businessman who was the bedrock of our industrial age, hypocritical, materialist, crooked, conformist, even proto-fascist. Babbitt is a real estate agent, a family man surrounded by the wealth of material goods provided by thriving industrial capitalism. He belongs enthusiastically and unquestioningly to any organization dedicated to preserving his and his family's ready access to those goods---professional group (realtors association), Boosters, church, and set social circle. He spouts meaningless platitudes on every subject, knows nothing except the price of real estate and methods of collusion, and ignores his feelings, his family, and the rest of the world, all the while believing that his city, state, and country are the best in the world. The first 90-odd pages of BABBITT are pure genius; one of the best character portraits you are likely to find in American literature---but it is a caricature after all. Lewis' choice of names underlines his cartoonish glee in writing this brilliant novel---Vergil Gunch, Professor Pumphrey, Chet Laylock, Matt Penniman, Muriel Frink, Opal Mudge, Carrie Nork, and Miss McGoun---names that could have been annexed years later by MAD magazine ! "Babbitt" has long been a word in American English, signifying a conforming materialist citizen without a mind of his own. Perhaps this is not entirely fair.
George goes through a mid-life crisis, rebels against his static, materialistic life with its know-nothing attitudes, its moral certitudes, and its boring routines. His closest friend (aren't there certain unspoken overtones of homosexual love ?) commits a dastardly deed, breaking George's heart. "On the rebound", he meets the fantastically-named Tanis Judique, femme fatale à la Midwest. Certain consequences arise, Lewis brings in his ever-present fear of American fascist tendencies, and there's a rather hopeful ending, also in the American tradition. If you are looking for a place to begin reading Sinclair Lewis, BABBITT is an excellent choice. If you already know other Lewis novels, don't miss this one. I would say that with "Main Street", "Elmer Gantry" and "Dodsworth", BABBITT is at the solid gold core of Sinclair Lewis' work. He certainly did deserve that Nobel Prize.
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