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Daniel Deronda, by George Eliot
PDF Ebook Daniel Deronda, by George Eliot
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Men can do nothing without the make-believe of a beginning. Even science, the strict measurer, is obliged to start with a make-believe unit, and must fix on a point in the stars' unceasing journey when his sidereal clock shall pretend that time is at Nought. His less accurate grandmother Poetry has always been understood to start in the middle; but on reflection it appears that her proceeding is not very different from his; since Science, too, reckons backward as well as forward, divides his unit into billions, and with his clock-finger at Nought really sets off in medias res. No retrospect will take us to the true beginning; and whether our prologue be in heaven or on earth, it is but a fraction of that all-presupposing fact with which our story sets out.[...]
- Published on: 2015-02-06
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.26" w x 6.00" l, 1.53 pounds
- Binding: Paperback
- 558 pages
From Library Journal
Nadia May meets the strenuous demands of Eliot's narration with easy assurance. In this enduring Victorian classic written in 1876, two stories weave in and out of each other: The first is about Gwendolen, one of Eliot's finest creations, who grows from a self-centered young beauty to a thoughtful adult with an expanded vision of the world around her. The second is about Daniel Deronda, adopted son of an aristocratic Englishman who becomes fascinated with Jewish traditions when he meets an ailing Jewish philosopher named Mordecai and his sensitive sister, Mirah. Providentially, Daniel then discovers that he himself is Jewish. Eliot's (Middlemarch, Audio Reviews, LJ 3/15/95) tender portrait of Mordecai is considered by some critics to be one of the most sympathetic treatments of a Jewish character in Victorian literature. Characterizations are strong throughout, except when the author takes center stage and delivers one of her lengthy monologs. Once the compelling drama resumes, it makes incredible demands on the narrator. However, whether May is reading French or German or Italian quotations, or interpreting Mordecai's Zionist speeches, she deserves to share the final applause with George Eliot herself.?Jo Carr, Sarasota, FL
Copyright 1998 Reed Business Information, Inc.
Review
“Daniel Deronda is a startling and unexpected novel . . . it is a cosmic myth, a world history, and a morality play.” —A. S. Byatt
From the Trade Paperback edition.
From the Inside Flap
2 Cassettes, 3 hours
Dramatization
A BBC Radio full-cast dramatization of George Eliot's final controversial novel. From the moment he sees her at the roulette table, the young and idealistic Daniel Deronda is drawn to Gwendolyn Harleth, as she is too him. But Gwendolyn- outwardly alluring and vivacious, inwardly complex and unsettled- is forced by circumstance into an oppressive marriage with the harsh aristocratic Henleigh Grandcourt.
Daniel becomes torn between her and Mirah Lapidoth, a young Jewish woman he saves from suicide, and, uncertain of his parentage, becomes increasingly driven to discover who and what is.
Most helpful customer reviews
86 of 89 people found the following review helpful.
Another monument to Eliot's brilliance
By A.J.
"Daniel Deronda," the culmination of George Eliot's distinguished career, is a tale of two cultures which explores the themes of concealed heritage, bigotry, and marriages of convenience in a manner never done before or since. Like its predecessor "Middlemarch," it is a long novel of perfectly structured complexity and impressive intellectual exposition, built upon a cast of characters so sharply and meticulously defined that the plot is propelled solely by the power of their presence. This is the novel that Henry James wanted to write, and even he could never match Eliot's passion and linguistic effortlessness.
The forward story in "Daniel Deronda" is that of Gwendolen Harleth, a coquettish, conceited, superficial girl -- in company she often affects a sophistication that is never quite convincing -- who could be called the heroine even though she lacks most heroic attributes. She is from an upper class family, but when misfortune strikes and she is faced with poverty, she consents to marry a man named Mallinger Grandcourt, heir to a large estate, rather than reduce herself to taking a job as a governess, and despite having received a warning from a mysterious lady about Grandcourt's having fathered illegitimate children.
The secondary story is that of Daniel Deronda, the title character, a young man who first sees Gwendolen in a casino in Leubronn at the beginning of the novel. Daniel, who happens to be the ward of Mallinger Grandcourt's uncle, Sir Hugo Mallinger, is inquisitive about his obscure parentage and unsure of his place in the world. One portentous day, he rescues a girl from drowning herself -- this is Mirah Lapidoth, a Jewish girl who has run away from her father in Prague and come to London to look for her long-lost mother and brother. Daniel decides to help her by playing detective, which eventually leads him to befriend a family of Jewish shopkeepers named Cohen, whom he supposes to be related to Mirah, and a deeply religious man named Mordecai.
Eliot intertwines this Judaic element with that of Gwendolen's unhappy marriage, as Daniel maintains a steady companionship with her while he spends time immersing himself in Jewish culture, learning about a past he never knew he had. The event by which Gwendolen's situation resolves itself is foreshadowed by a particularly eerie symbol: In her family's house, there is a painting she dreads, apparently conceived by a morbid ancestor, depicting a figure running away in fright from an upturned dead face. As a plot device it may seem unrealistically gothic, but Eliot's treatment of her material is too somber and mature ever to succumb to the absurd.
This novel, while not as consistently great as "Middlemarch," confirms my opinion that Eliot is the most accomplished, intelligent, and original of the Victorian novelists, boldly ahead of her time. She is undeniably one of the greatest psychological portraitists in literature; better than most other authors, she understands the way people think and why they do what they do, which is probably why her sense of tragedy feels authentic rather than merely sentimental. Whether "Daniel Deronda" is read to get a unique insight on Jewish life in London in the nineteenth century or just to bask in the opulence of Eliot's prose, the effort will be richly rewarded.
69 of 71 people found the following review helpful.
a historic masterpiece
By lazza
Daniel Deronda is a brave piece of literature. It attempts to chronicle the budding Zionist movement and anti-semitic attitudes of Victorian society, and combine it with a more traditional George Eliot soul-searching story of a young woman (a gentile who has a complex relationship with Daniel Deronda, the young Englishman who discovers he is a Jew). While many people have quibbled about various details of the story, with some justification, the overall impact is one of awe. It's amazing how an accomplished writer defies popular criticism and explores a subject matter which was, at the time, politically incorrect.
Strictly speaking, Daniel Deronda isn't quite the same level of immaculate fiction as Middlemarch. So I think George Eliot fans will be somewhat disappointed. But on the positive side, the book is much more accessible (ie, easier to read). And the subject matter makes it required reading for everyone interested in modern Judaism/Zionism. It's fascinating to compare how Jews were perceived during the mid-1800s relative to today (..in western Europe).
Finally, the Penguin Classic edition of Daniel Deronda has both great Notes and Introductory sections (which, oddly, is supposed to be read AFTER reading the book).
37 of 38 people found the following review helpful.
I think he is not like young men in general
By EA Solinas
"Daniel Deronda" was the last novel George Eliot wrote, and it's an appropriate finale to her career -- a lushly-written, heartfelt story about a young man searching for his past (and clues to his future), as well as a vibrant strong-willed young lady who discovers that life doesn't always go your way. Even better, Eliot deftly avoided the cliches and caricatures of the Jewish people, portraying them with love and respect.
Daniel Deronda is the ward (and rumored illegitimate son) of a nobleman, who is unsure of his past (particularly of his mother) catching a glimpse of pretty, reckless, arrogant Gwendolyn Harleth at a casino. Gwendolyn (who boasts that she gets everything she wants) is interested in Daniel, but when her family loses all their money, she marries a rich suitor, a relative of Daniel's -- knowing that his mistress and illegitimate children will be disinherited. But she soon finds that her new husband is a sadistic brute, and sees Daniel as her only help.
Meanwhile, Daniel rescues the despairing Mirah Lapidoth from a suicide attempt in the river, and he helps the young Jewish singer find a home and friends to care for her. As he helps her find her family, he becomes passionately attached to the Jewish population and their plight, embodied by a dying young visionary and a kindly shopkeeping family. Then he receives an important message -- one that will illuminate his roots, and give him a course for the future.
When Eliot published her final novel, it caused a massive stir -- not many novelists tackled the plight of the Jewish population, or how it compared to the gilded upper classes. In a way, "Daniel Deronda" is both a love triangle and an allegory -- Daniel must choose between the pretty, shallow English life (Gwendolyn) or a rich Jewish heritage (Mirah) with a background of tragedy.
The biggest problem with Eliot's writing is that it becomes a little too lush and dense at times, and the narrative moves a bit slowly (in the Victorian manner). But that flaw doesn't rob her writing of its power or beauty -- she describes every feeling, gesture and emotion in detail, as well as the sumptuous balls, exquisitely gilded mansions, and every shadowy tree or rich expanse of land ("a grassy court enclosed on three sides by a gothic cloister").
Yet the greatest power is in the stories that twine like ivy over the main plot -- a young Jewish girl's search for her family, a sadistic man's search for a wild lovely girl he can break, and especially of the composer Herr Klesmer and his sweet, atypical love story with Miss Arrowpoint. And the last quarter of the book is wrapped in Daniel's search for his own family, culminating in a quietly tense encounter with someone from his long-ago past.
Daniel almost seems like a character too good to be true -- unselfish, kind, universally kindly and very intelligent, though possessed of a vaguely searching quality. Gwendolyn is his complete opposite: she has been raised to be selfish, disdainful and immature, but as the book goes on she learns that selfishness doesn't pay -- marriage to the despicable Grandcourt changes her from a selfish little girl into a scarred but stronger woman.
The third leg of the triangle is Mirah, who is not given the loving attention that Gwendolyn is, but who is still a compelling figure -- her father tried to sell her, and now she wanders through England searching for her family. And the book is littered with many other striking characters: the sadistic Grandcourt and his creepy servant Lush, the crotchety but kindly Klesmer, the spirited artist Hans, the kindly Sir Hugo and the doomed, strong-willed Mordecai.
"Daniel Deronda" is a beautiful portrait of a young man's search for his past, and a young woman's struggle with the fruits of her own selfishness. What's more, George Eliot's last novel is a loving, powerful portrait of the Jewish people, in a time when they were caricatured at best.
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