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"[...]afterwards, when he came to live in the Marshall Group, the chief proved his friendship in a signal manner. The cruise proved a profitable one, and from that time Mr Becke determined to become a trader, and to learn to know the people of the north-west Pacific; and returning to California, he made for Samoa, and from thence to Sydney. But at this time the Palmer River gold rush had just broken out in North Queensland, and a brother, who was a bank manager on the celebrated Charters Towers goldfields, invited him to come up, as every one seemed to be making his fortune. He wandered between the rushes for two years, not making a fortune, but acquiring much useful experience, learning, amongst other things, the art of a blacksmith, and becoming a crack shot with a rifle. Returning to Sydney, he sailed for the Friendly Islands (Tonga) in company with the king of Tonga's yacht—the TAUFAAHAU. The Friendly Islanders disappointed him (at which no one that knows them will wonder), and he went on to Samoa, and set up as a trader on his own account for the first time. He and a Manhiki half-caste—the "Allan" who so frequently figures in his stories—bought a cutter, and went trading throughout the group. This was the time of Colonel Steinberger's brief tenure of power. The natives were fighting, and the cutter was seized on two occasions. When the war[...]".
- Published on: 2015-02-09
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .22" w x 6.00" l, .30 pounds
- Binding: Paperback
- 96 pages
From the Back Cover
A Fictional Journey to the Lands of Paradise
This small collection of "yarns" about life in the Pacific Islands launched Australian author Louis Becke into whirlwind celebrity with its publication in the late 1890s.
A former trader, sailor-and some say even pirate-Becke knew the islands of the South Seas as few authors ever have. His tales force us to behold the exploitative nature of the European impact on the natives and on the land. At the same time, his stories hold lessons about the clashes that occur when cultures are counterpoised in their views, and how each works in its own inevitable way to change the other.
A. Grove Day said of him: "He merits a secure place in the literary history of the Pacific, primarily because his very lack of polish reflects the rude and lawless period in which he lived. . . . In his ability to end a story with some apparently irrelevant afterthought, which somehow sums up the entire yarn, and the age, and the ocean, too, Becke is without comparison."
About the Author
George Lewis (Louis) Becke was born in 1855 in New South Wales, Australia. He received little formal education before the family moved to Sydney, but there he was able to attend school. At 16, however, he stowed away on a ship bound for Apia in Samoa where he took a job as a store bookkeeper.
When delivering a ketch for his employers, Becke, just 18, met notorious slaver, buccaneer, and swindler "Bully" Hayes. He sailed with Hayes for three months as "supercargo" until Hayes ship, the Leonora, sank during a typhoon. Becke survived the shipwreck, and left Hayes, but a British warship pursuing the pirate arrested Becke and others for trial in Brisbane. Fortunately he had salvaged a copy of the power-of-attorney from his employers and was acquitted of the charges of piracy.
While in Queensland he took part in the gold rush, but by age 25 he had the urge to wander again and became an employed trader on Kiribati, then opened his own store in February 1881 on Nukufetau, and married a native girl.
After losing all his belongings in 1881 in a shipwreck near Beru Island, he left both islands and wife to seek a job with his first employer, but instead landed in Sydney. By 1886 he was married again to a native Australian, Bessie Maunsell, and was working as a draftsman until moving to Townsville in 1888. Once again the urge for the islands came over him, and he took a post as a trader from 1890 until 1892 when he returned to Sydney.
Unable to find another post as a trader, Becke turned to writing. Traditio n has it that publication of his first story, "'Tis in the Blood" was the result of acquaintances he made in a pub who put him in touch with an editor of a weekly paper. Shortly thereafter he was asked to write autobiographical material for T.A. Browne (writing under the pseudonym Rolf Boldrewood) which Browne would use as background material for a novel. However, Brown apparently used too much of the material verbatim, and Becke brought suit against Browne in a case that was argued successfully by Becke's lawyer, another famous Australian literary figure, Banjo Patterson.
In 1894 Becke's first collection of short stories was published by Unwin in London under the title By Reef and Palm. Other collections soon followed, but Becke's habit of selling his copyright, and Unwin's notoriously poor payment practices, combined to leave Becke relatively poor despite his success. Forced to declare bankruptcy in 1894, he separated from his wife in 1896 and left for England. There he became a celebrity on the British literary scene, renowned for his conversational ability as a story teller. He became friends with many colonial adventurers, including Rudyard Kipling.
Always poor and always restless, Becke moved around Great Britain, lived in Ireland for a year, and in France from 1903-1906. He also took trips to the U.S. and Jamaica during those years, and then returned to the South Pacific in 1908 after remarrying. By 1909 he was back in Sydney, but he still impoverished and constantly hounded by creditors. His fame diminishing as well, Becke began to drink heavily and spent the final two years of his life mostly alone and battling cancer. He died in 1913.
In some ways it is difficult to assess the literary contribution of Louis Becke. His prose style is not up to the polished standards of giants such as Conrad or Melville, but his knowledge of the world in the South Seas produced a vivid record of cultures clashing and the inevitable results.
According to Becke expert Professor Dirk Spennemann of Charles Sturt University, "In 1957 James Michener and A. Grove Day devised a series of questions to identify those who really knew the Pacific. The only useful question to ask, so they felt, was to name 'best writer about the Pacific,' as there was only one 'correct' answer: Louis Becke."
Most helpful customer reviews
5 of 5 people found the following review helpful.
Reflecting a lawless era in candid, nothing-is-sacred prose
By Midwest Book Review
Originally in the late 1890s, By Reef And Palm is Australian author Louis Becke's thoroughly amusing collection of short-story "yarns" about daily life in the Pacific Islands that has been brought out in a new addition by Dixon-Price Publishing and will aptly serve to introduce a whole new generation of readers to the work of a man reputed in his lifetime to be the "Kipling of the Pacific". Reflecting a lawless era in candid, nothing-is-sacred prose, By Reef And Palm is a unique, captivating, enthusiastically recommended compendium of short stories showcasing the trials and travails a century gone "Paradise".
2 of 3 people found the following review helpful.
Short-story "yarns" about daily life in the Pacific Islands
By Midwest Book Review
Originally in the late 1890s, By Reef And Palm is Australian author Louis Becke's thoroughly amusing collection of short-story "yarns" about daily life in the Pacific Islands that has been brought out in a new addition by Dixon-Price Publishing and will aptly serve to introduce a whole new generation of readers to the work of a man reputed in his lifetime to be the "Kipling of the Pacific". Reflecting a lawless era in candid, nothing-is-sacred prose, By Reef And Palm is a unique, captivating, enthusiastically recommended compendium of short stories showcasing the trials and travails a century gone "Paradise".
0 of 0 people found the following review helpful.
Pacific disturbances
By Chris Bell
James A Michener has said it in his book about Pacific Rascals and I agree: Beck's writing is naive and at times poorly constructed but simultaneously smacks of authenticity. The stories meander and wander confusingly at times...the realities behind the yarns somehow show through, leaving this reader with some confusion but the distinct impression that the realities are just that.
CB
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