Ebook Jennie Gerhardt, by Theodore Dreiser
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Jennie Gerhardt, by Theodore Dreiser
Ebook Jennie Gerhardt, by Theodore Dreiser
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"One morning, in the fall of 1880, a middle-aged woman, accompanied by a young girl of eighteen, presented herself at the clerk's desk of the principal hotel in Columbus, Ohio, and made inquiry as to whether there was anything about the place that she could do. She was of a helpless, fleshy build, with a frank, open countenance and an innocent, diffident manner. Her eyes were large and patient, and in them dwelt such a shadow of distress as only those who have looked sympathetically into the countenances of the distraught and helpless poor know anything about. Any one could see where the daughter behind her got the timidity and shamefacedness which now caused her to stand back and look indifferently away. She was a product of the fancy, the feeling, the innate affection of the untutored but poetic mind of her mother combined with the gravity and poise which were characteristic of her father. Poverty was driving them.[...]"
- Sales Rank: #8276293 in Books
- Published on: 2015-02-06
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .57" w x 6.00" l, .73 pounds
- Binding: Paperback
- 252 pages
Review
"The best American novel I have ever read, with the lonesome but Himalayan exception of Huckleberry Finn." --H. L. Mencken
From the Publisher
James L. W. West III is Edwin Erle Sparks Professor of English at Penn State University. He is the author of many books, including American Authors and the Literary Marketplace since 1900, an expansion of his 1983 Rosenbach Lectures at the University of Pennsylvania, and The Making of This Side of Paradise, both available from the University of Pennsylvania Press. His most recent books are William Styron: A Life (1998) and The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King (2005).
From the Back Cover
Focusing on Jennie Gerhardt, a poor young girl in Columbus, Ohio, Theodore Dreiser's novel depicts her inadvertently defying a host of conventions-of class, gender, family, and religion. Over a quarter of a century she is repeatedly victimized by circumstance, temperament, and most particularly the fact of her sex. Yet the triumph of the book lies in her incorrigibly loving nature. Cast out by society as well as by her family, she none the less fosters a far deeper understanding of relationships than anyone else. It is no surprise that she was her author's favourite heroine.
Most helpful customer reviews
14 of 14 people found the following review helpful.
Jennie Has-hardt
By Jana
Truly, Jenny Gerhardt has a lot of heart.
Though she makes some bad decisions and often lacks the confindence that could have reinvented her in the magnified binocular-eyes of society, Dreiser's love for the character shines and we, the readers, grow to love her also. Several glimmers of why Dreiser is the transcendent novelist that he is peek out from the fast moving story of Jennie Gerhardt.
"She was not, like so many, endeavoring to put the ocean into a tea-cup or to tie up the shifting universe in a mess of strings called law."
"The loveliness of seventeen is centuries old. That is why passion is almost sad."
"So this little household drifted along quietly and dreamily indeed, but always with the undercurrent of feeling which ran so still because it was so deep."
I admit to you, I have never been very interested by the sometimes dry prose offered in the writing of earlier time periods. But Dreiser seems to me a rare gem in the world of early 20th century fiction.
However, the one reason I am writing a 4 star review is because of the ending of this novel. After several mini-climaxes, the book ends. --just like that. With a grim display of "if only". And although most, if not all of us, identify with that theme, I felt like I MUST have read 366 pages for something other than that.
However, I would still recommend it. It is a delicate work of art whose power and beauty cannot be denied.
15 of 17 people found the following review helpful.
Honest, truthful and rewarding
By B. Gordon
This was the first novel I ever read by Theodore Dreiser. The reason why I selected it was because in the film, American Splendor, Harvey Pekar mentions the novel and he's shown finishing it in the film. I wanted to know and feel what Mr. Pekar felt. And I believe I did. The tragedy of Jennie Gerhardt's life resonated with me. I was anguished over Jenny's loneliness and the fact that Lester could never make up his mind to marry her. I cried. Dreiser's observation of turn of the century high society and their view of the poor as pariahs still seems relevant today. We still live in a time of social and financial inequality.
Dreiser's writing style is definitely not modern. And his phrasing is not structured in the active voice. It's more long-winded. You need to enjoy his descriptions and his philosophical speculations that do make the novel more meaningful. You can't take the social critic out of Dreiser. If you can make time in your life to sit down and read this novel, you will come away having been moved by Dreiser's heartfelt portrayal of the human condition. May each and everyone one of you be as lucky to love as deeply as Jennie did.
18 of 22 people found the following review helpful.
A girl punished for daring to love men above her class.
By Barbara E. Marsh
It seems each time I finish one of Dresier's works I think it is my favorite. Such is the case with Jennie Gerhardt, at least until my next Dresier. This heart-wrenching saga takes the reader through Jennie's life from cleaning houses with her mother, bearing a child by a US Senator and living and loving a man beyond her society class. Lester (the man she loves after the Senator), for his part, is unwilling to marry Jennie and is cut-off from the family and it's millions for loving someone "below" his class in society. Jennie remains true to herself, following her heart and the dicates of a harsh scoiety. She makes amendes with her father and is the only child to nurture him through his final days and death. She takes her daughter away from Chicago and leaves Lester so he can reclaim his family fortune. Her daughter dies, leaving her alone but the strength of Jennie's character comes through when she adopts orphans, for if she isn't nurturing she isn't living. Dreiser drives home his theme of fate and how some can dictate it while others are a slave to it. But even this distinction isn't black and white. Lester seems not to care what fate has in store for him until he takes it into his onw hands and marries the society girl he arguably should have married before he hooked up with Jennie. Alas, Jennie never mastered her fate. She was punished for loving two men from the upper-crust of scoiety instead of taking the crusts that high-living classes would toss her.
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