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The Man Who Was Thursday (illustrated), by G.K. Chesterton
Ebook The Man Who Was Thursday (illustrated), by G.K. Chesterton
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The Man Who Was Thursday was written by G. K. Chesterton and follows newly recruited Scotland Yard detective Gabriel Syme as he infiltrates the dangerous underworld of the European anarchist council. Syme is a member of a special anti-anarchist division of the police and finds his way into the secret group through a poet he befriends, named Lucian Gregory. Once Syme is on the inside he discovers the council is made up of seven men, each named after a day of the week, and is led by the mysterious president known as Sunday.
He discovers the group’s intention to kill a czar who will soon be visiting Paris, but in his attempts to stop this plot he soon realizes that all the other members of the anarchist council are also undercover police tasked with bringing the group to justice. With all their identities now in the open they join together to find out the real truth behind why Sunday set them all against each other and who the enigmatic leader really is. After chasing the president through the streets of London they eventually confront him and Syme's nightmare comes to a surreal end.
The book was first published in 1908 and has been adapted many times over the years, including two adaptations for BBC radio, as well as an abridged radio play adaptation written by Orson Welles.
- Sales Rank: #1420902 in eBooks
- Published on: 2015-02-20
- Released on: 2015-02-20
- Format: Kindle eBook
Amazon.com Review
In an article published the day before his death, G.K. Chesterton called The Man Who Was Thursday "a very melodramatic sort of moonshine." Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from "the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon."
But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox: He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity. Elected undercover into the Central European Council of anarchists, Syme must avoid discovery and save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. --Kerry Fried
Review
"A powerful picture of the loneliness and bewilderment which each of us encounters in his single-handed struggle with the universe."
--C. S. Lewis --Review
From the Inside Flap
G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.
Most helpful customer reviews
159 of 167 people found the following review helpful.
Kind of weird but worth it
By Gary Bisaga
I have just finished this book and have to say, I concur with Kingsley Amis (writer of the introduction) who said that it was the "most thrilling book he has ever read." Chesterton weaves together a combination detective story, wierd dream ("Nightmare" as he says on his cover page), and social commentary. It's certainly not an apologetic book (as C.S. Lewis said, one can't always be defending the faith, sometimes one has to encourage those already converted), but elements of Christianity do come through (especially Chesterton's sensible view that your faith should affect every area of your life and outlook to the world).
The hero, Symes (who is called Thursday) is a detective and a Christian who provokes an anarchist and infiltrates a world-wide underground anarchist society. From there, I won't spoil the story but there are many adventures, twists, and turns. This part I thought very well written. Every new discovery Symes makes literally had me on the edge of my seat. Things become more and more bizarre (right in line with Chesterton's own description of his book as a "Nightmare") until a very bizarre ending that I confess I have still not fully absorbed.
There is a great deal of symbolism and allegory in the book, which is not clear until at least a third of the way through the book. In this way, the book is similar to C.S. Lewis's book "That Hideous Strength" (the third book in his space trilogy that includes "Perelandra"). Like Lewis's book, "Thursday" starts off very realistic (although with some hints of the bizarre twists to come) and gets more and more strange as the book goes on.
Two things that will be helpful to understanding much of the symbolism:
(1) Read the afterword at the end of the book by Chesterton. Unlike Amis's introduction, I wouldn't read it before you start reading the book. I'd recommend reading it after about a third of the book, perhaps right around the time the Pole is "unmasked" (that is, around chapter 6).
(2) Also helpful is Martin Gardner's commentary on the book. There is another edition of the book that has Gardner's comments, but the most important parts of his commentary are available on the Internet (just search ye shall find them). This lays out the symbolism in more detail than the former, so if you want to figure it out for yourself don't read this until the end of the book.
Finally, after you read through the book once, think about it and read comments such as Gardner's, then go back and read it again. As Amis says in his introduction, you can read this book many times and get new things out of it every time.
102 of 108 people found the following review helpful.
Sunday, Monday, Tuesday...
By EA Solinas
For a book that's only about a hundred pages long, "The Man Who Was Thursday" is pretty packed.
G.K. Chesterton's classic novella tackles anarchy, social order, God, peace, war, religion, human nature, and a few dozen other weight concepts. And somehow he manages to mash it all together into a delightful satire, full of tongue-in-cheek commentary that is still relevant today.
As the book opens, Gabriel Symes is debating with a soapbox anarchist. The two men impress each other enough that the anarchist introduces Symes to a seven-man council of anarchists, all named after days of the week. In short order, they elect Symes their newest member -- Thursday.
But they don't know that he's also been recruited by an anti-anarchy organization. And soon Symes finds out that he's not the only person on the council who is not what he seems. There are other spies and double-agents, working for the same cause. But who -- and what -- is the jovial, powerful Mr. Sunday, the head of the organization?
Hot air balloons, elaborate disguises, duels and police chases -- Chesterton certainly knew how to keep this novel interesting. Though written almost a century ago, "The Man Who Was Thursday" still feels very fresh. That's partly because of Chesterton's cheery writing... and partly because it's such an intelligent book.
He doesn't avoid some timeless topics that make some people squirm. Humanity (good and bad), anarchy, religion and its place in human nature, and creation versus destruction all get tackled here -- disguised as a comic police investigation. And unlike most satires, it isn't dated; the topics are reflections of humanity and religion, so they're as relevant now as they were in 1908.
But the story isn't pedantic or boring; Chesterton keeps things lively by having his characters act like real people, rather than mouthpieces. From Symes to the Colonel to the mysterious Sunday himself, they all have a sort of friendly, energetic quality. "We're all spies! Come and have a drink!" one of the characters announces cheerfully near the end.
And of course, once the madcap police investigations are finished, there's still a mystery. Who is Sunday? What are his goals? And for that matter, WHAT is Sunday -- genius, force of nature, villain or god? The answer is a bit of a surprise, and as a reflection of Chesterton's beliefs, it's a delicate, intelligent piece of work.
"The Man Who Was Thursday" is a wacky little satire that will both amuse and educate you. Not bad for a book often subtitled "A Nightmare."
39 of 41 people found the following review helpful.
It's not a novel
By Michael Reid
This wonderful novel is not a detective story; not an allegory; especially not a work of theology. I haven't the audacity to attempt to define what it is. Chesterton did, however, and it's right there in the title: "A Nightmare". The story unfolds as a dream does, illogically and vividly. I approach it (and I have read it many times) as a prose poem, and a picture painted with words. Certainly it shows GKC's intensely visual imagination, and his ability to create a landscape in the mind. It is also an extended commentary on the Book of Job; in both, a mystery is answered with a greater mystery. Thus the enigmatic ending. GKC was a modern mystic, who saw creation as a pageant to be lived - and loved - rather than a propostion to be solved.
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